Where Remedies Come Alive: 
Why Clinical Confirmation—Not Proving Alone—Defines the True Remedy Picture

Published on November 17, 2025 at 8:00 AM

Where Remedies Come Alive:
Why Clinical Confirmation—Not Proving Alone—Defines the True Remedy Picture

 

For a very long time, homeopaths have repeated a familiar instruction: “After repertorization, always go back to the proving materia medica to confirm the prescription choice.” The intention is noble. The idea is philosophical. But the reality of practice tells a different story.

 

When homeopaths truly recognize a remedy in a patient, the picture that rises in their mind is rarely the pure proving text. It is the remedy’s clinical identity, accumulated across thousands of real cases, refined by decades of observation, stabilized by repetition, and expressed through pathology, etiology, modalities, and characteristic combinations.

The proving is only the beginning. In the patient, the remedy-picture becomes itself.

 

This essay examines why remedies acquire their true character through patients rather than provers, why most proving symptoms rarely replicate in real illnesses, and why the repertory—especially one based on evidence rather than philosophy—becomes the key scientific instrument of homeopathy.

 

1. The Proving: A Prototype, Not the Finished Picture
A proving reveals what a substance can potentially cause in relatively healthy people. This process yields isolated sensations, mental and emotional changes, a few modalities, sporadic concomitants, and general directions of action.

This material is indispensable. Without proving, no remedy exists at all, no foundation exists.

However, it is equally valid that provings are short, performed on healthy provers, devoid of pathological processes, influenced by expectation, and diary-style, and are prone to high noise.

Provings show possibilities—nothing more. They do not show pathology, etiological affinities, or stable remedy patterns.

The proving materia medica is the prototype of the remedy, not its complete identity.

 

2. Why Remedies Gain Character Through Patients, Not Provers
Patients reveal pathological evolution, etiology, recurrent combinations, aggravation patterns, disease sequences, mental states under real suffering, organ affinities, modalities that cluster, concomitants that recur, relapses, chronic tendencies, and the life-context of symptoms.

No proving can produce these. Only life can.

Provers demonstrate the capabilities of the substance. Patients show what the remedy does. And what remedies repeatedly do in patients becomes the remedy as we know it.

 

3. The 70/30 Reality: Proving Noise vs. Clinical Truth
Most proving symptoms never replicate in sick people; those that do form the accurate pathological picture of the remedy.

Approximately 70% of the proving symptoms never show in the patients. About 30% do reappear—again and again, in real pathology, across patients, authors, and eras.

This 30% becomes polycrest identities, keynotes, reliable modalities, etiologies, mental pictures, organ affinities, and repeated clinical concomitants. The remaining 70% forms an open archive of hypotheses.

 

4. Clinical Confirmation as the Natural Filter of Proving Bias
Provers bring expectation, imagination, lifestyle artifacts, random sensations, idiosyncratic reactions, and unrepeatable moments.

Patients remove this noise through natural selection.

What repeats → real. What doesn’t → irrelevant.

Thus, patients act as a self-correcting force filtering noise, isolating the signal, and stabilizing the remedy identity.

 

5. Bönninghausen’s Lost Method: Grading Proving Evidence
Bönninghausen distinguished between symptoms coming from one prover vs. two or more. This was an early statistical filter.

Later editors removed the prover-count information, and the internal filter for proving data was lost.

 

6. Kent Dismissed Bönninghausen's Second grade
Kent replaced evidential grading with philosophical grading. One-prover artifacts were elevated to the same level as multi-prover facts. This amplified the proving noise.

 

7. The Repertory as Filter and Archive
A repertory must:

A. Filter: Elevate confirmed symptoms, grade reproducible patterns, stabilize clinical knowledge.
B. Archive: Preserve proving data as hypotheses.

The repertory filters without erasing.

 

8. Prototype vs. Clinical Materia Medica
Prototype Materia Medica shows potential. Clinical MM shows reality: reproducible patterns, etiology, pathology, modality clusters, and organ affinities.

 

9. How Remedies Actually Become The Remedies We Know
Natrum mur, Lycopodium, Staphysagria—predominantly clinical images, not prover images.

 

10. Homeopathy as a Cumulative Science
Provings generate hypotheses. Practice tests them. Clinical repetition selects the actual patterns. Repertory grading preserves evidence. Clinical MM narrates identity.

 

11. The Central Principle
Most proving symptoms never replicate in sick people; those that do become part of the accurate remedy picture.

 

12. Conclusion
Provings are the birth of the remedy. Clinical confirmation is its adulthood. A remedy begins its life in provings, but it truly reveals itself only in patients.

 

Roger van Zandvoort

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